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Could Ya Do The Woo Woos?
by Withered Hand
supported by 7 fans who also own “Radio Sessions”
Dan's the man! There's such fragility and strength combined here and such healing, too. 'We'll be God's tiny carrier pigeons', us and the idiot savants.
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IT WON/T BE LIKE THIS ALL THE TIME LIVE
by The Twilight Sad
supported by 6 fans who also own “Radio Sessions”
This live album is absolutely astounding. I gave myself the gift of not bothering to look at the track list at any point, and thus the Frightened Rabbit cover was a 100% surprise. And what a wonderful cover! Great band, great album, great sounding live versions of great songs. Can't recommend this album enough.
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Live at Bedlam Theatre
by Broken Records
supported by 5 fans who also own “Radio Sessions”
my first-ever broken records song was the toad sessions recording of wolves. it was many years before i rediscovered it, along with the rest of until the earth begins to part, and the entire album has remained close to my heart ever since. it's extremely exciting to have new recordings of some of my favorite songs, and extremely comforting in these rough times. thank you so much, i cannot possibly express how meaningful this release is to me
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The Music Industry is Poisonous
by LUCY
Wild, obtuse art pop from this Massachusetts artist that threads jagged vocal melodies through herky-jerky synths.
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Bicicleta Sem Rodinha
by Gabo
Bright and woozy psych-pop from Gabriel Islaz—all recorded in his bedroom—will transport you to far-off shores.
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London Pirate Radio Adverts 1984-1993, Vol. 1
by Death Is Not The End
featured on Bandcamp Radio Jan 12, 2021
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Simple is Good
by Meursault
supported by 5 fans who also own “Radio Sessions”
I only picked up on Meursault recently through their brilliant album “I Will Kill Again”. Investigating their back catalogue has been an absolute pleasure. There something about Neil’s outlook and slightly off kilter way of putting songs together that is endlessly compelling. This is illustrated on the track “Simple is Good” with great lyrics “First there was nothing then there was light. Still there was nothing but now we could see it .....” underpinned by appropriately unsettling keyboards. Meursault and Neil Pennycook are national treasures!
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